A short, clever minimalistic animation from Oddfellows. Project Fi is a mobile virtual network operator by Google, providing phone, messaging and data services using both Wi-Fi and cellular networks. This message is conveyed simply through light delicate shape layer animations reinforced with intelligent sound interjections making a very strong short piece of visual communication. Completely unobtrusive and honest, this simple aesthetic treatment is a trend at the moment, but definitely makes an impact on the senses.
Bloomberg has been producing some engaging info-graphic, moving image promos and brand videos for some time now, this spot really caught my attention, a beautifully animated, super rich aesthetic showcases a powerful piece of moving image design, it's certainly a step forward in the use of 3D physics.
An exceptional promo for the Breakthrough series for National Geographic produced at Prodigal pictures (Danny Yount) from 6 different directors though (?). Transitions in this are just awesome, level of detail is something to be admired and a very clever response to the program subject. Not many promos give me goosebumps. Some very talented motion designers worked on this - Chris Bjerre, Toros Kose.
This beautifully illustrated piece from Chromosphere (LA) is a meditative audio-visual animation marking mankind's scientific feats and the world as a natural wonder. This film gives you a deep connection with science and nature through layers of shape and colour, it is Incroyable!
Onesize were one of the reasons I became so interested in visual communication through film and motion design, I first became aware of them around 2006, even though they'd been going for 5 years previously, I loved what they were doing then and they're still pumping out really great work. In awe.
I just came across this creation (again) which was produced and released about a year ago now; now I have watched again and decided to log this one on The Pulse. Directed by the illustrious Matt Pyke (Universal Everything) and animated by Chris Perry this graphic visualisation of Jeffrey Brodsky's "I'll Be Strong" is visually enticing and powerful.
A beautifully executed title design and information design piece from director Patrick Clair. A dark and somber mood contained in this sequence with Clair's trademark journalistic style of melancholy giving the viewer a purposefully chilling experience while providing context and narrative. This documentary film 'Winter on Fire' tells the story of the recent political unrest in Ukraine.
Wonderful technical attention to detail and aesthetically powerful titles from the illustrious Melbourne based motion designer Raoul Marx. I added the 'peak inside' spot too.
This 'brand story' piece of TaherInvest led by Micheal Rigby tackles things differently, in motion graphics we see so many of these spots that follow similar frameworks, this approach had something left field. Stylistically, it's bold, sophisticated and shows depth while giving the viewer a feel of contemporary cinema.
An engaging, clean and elegant design of data representation made by Onformative (a generative design studio) for Klarna, and online payment company based in Stockholm in Sweden. The data wall is the focal point of their recently built HQ in the central business area of the city.
Incredible attention to detail in this mesmerising title sequence for FITC Tokyo by diector Ash Thorp. Utilising a glitch infested typographical display, it aligns and connects with Japan's rich tech culture and reflects the busyness and chaos of a city like Tokyo, but at the same time holds a sense of sophistication emulated through abstract composition, while holding a sense of preciseness.
I’ve been a admirer of Mr Nicholas Feltron's design path ever since I came across his data driven design work a few years back now. Feltron is a recognised 'Data Visualiser' and bona fide Info-Graphic Designer for Journalism and Academia, I just want to express, just briefly about how it makes me react as a designer myself, observing his way of thinking.
Breaking the mould, again — Universal Everything have been on my radar for a number of years now as media-design pusher collective driven by Matt Pyke. On this occasion the client is Deutsche Bank. Their headquarters in Hong Kong have been blessed with the largest pixel dimension screen ever with a beautiful arrangement of coded graphics developed by field.io.